The Smart Marketer

Skad West

Squidoo founder, bestselling author and prolific blogger Seth Godin recently sat down with Success Magazine’s Darren Hardy to talk about his vision, the ideas in his latest book, We Are All Weird, the smart marketer of today, and how businesses become remarkable.

http://upmarket.squidoo.com/2012/02/08/we-are-all-weird/

Marketing the Artist- who is RayWJ?

This is from Bob Lefsetz.

“Who Is RayWJ? YouTube’s Top Star: Earning an Estimated $1 Million a Year, a Foul-Mouthed Comic Shows the New Rules of New Media”: http://yhoo.it/wjprV7

In other words, you’re better off going on YouTube than “American Idol”. But on YouTube creativity is king. To have big time success you must write your own material. Like on the rest of the Internet, brains triumph.

The nerds are inheriting the entertainment business. They’re stealing it from the guys who couldn’t get a date in high school who put on three piece suits and declared themselves important, but they’re not.

Any artist will tell you it’s all about freedom, the ability to do it your way. Suits have no idea what works, that’s why they’re suits!

Do you have the balls to do it your way? To stop looking for someone to rescue you, give you money to work on the plantation?

All we hear is the Internet ruined the entertainment business.

Hogwash.

The Internet is a washing machine that mixed up everything and we’ve yet to see exactly how it all dries out. But when we do, different people will be in power, the game won’t be the same.

If you’ve got talent, there’s never been a better time to create. Because the tools are cheap and you can go directly to your audience. Hell, you can even monetize on YouTube. Instead of complaining about Spotify payments, make a viral video. Yourself. Don’t sign with a major and put it on Vevo and get chintzed out of the revenue. This is your opportunity, this is your time.

Maybe RayWJ will go nuclear. But today, he’s unknown to most. That’s the new game, your niche is big enough, in this case, to make a million dollars a year. If you’re playing to everybody, you’re missing the point. Everybody doesn’t care. But many do. Play to them.

P.S. From the RayWJ YouTube page: “MAKING YOUTUBE VIDEOS IS JUST A HOBBY OF MINE. PLEASE DON’T BOTHER CONTACTING ME WITH BUSINESS OFFERS. I’M SIMPLY NOT INTERESTED. THANK YOU.”

http://bit.ly/yDE8aP

Marketing the Artist

Marketing the artist

 

Tyler Perry Gives Advice on How to be Successful

Movie mogul Tyler Perry, who was recently named by Forbes  as the highest paid man in entertainment, took a little time out to give a few words of advice to his fans on how to be successful.

Do you feel like you’re in a slump with your professional pursuits? Most of the time we want so many things that we don’t know which road to take.

Yesterday, Media mogul Tyler Perry posted a note encouraging people to “stick with it no matter what”.  Perry also said, “narrow your focus to one idea and make it work. It will give birth to all the others.” This is great advice for the ambitious professional.   Skad 

 

 

 

Marketing Music

the artist

 

 

 

 

 

What I Learned About Marketing From Lil Wayne

For the last 4 1/2 years it has been virtually impossible to turn on the radio or videochannel and not see some representation from the crew the music world has fondly grown to know as “Young Money”. A brain child spawned from the imagination of Dwayne Carter, AKA Lil Wayne who was mentored since 11 years old by then drug dealer and music producer Bryan “Baby” Williams. Over the years they have appeared together in countless music videos and quietly have become the most successful organizations in music history. Men lie, women lie but numbers NEVER lie! See for yourself;

  • Lil Wayne’s discography looks like this: 2,000,000 in mixtapes, 700,00 for Hotboys, 600,00 for The Carter, 1,200,000 for The Carter 2 and 4,000,000 for The Carter 3
  • Nikki Minaj sold over 450,000 the first week of her debut CD “Pink Friday”
  • Drake has sold 1,500,000 of his debut CD “Thank Me Later” and poised to do even higher with his recently released LP

Say what you like, success ALWAYS leaves clues! Now I’d like to share 6 clues I have learned from Mr. Carter.

  1. Establish your organization one piece at a time: The patience of the whole Cash Money-Young Money movement is astounding. For years they lay in wait for the perfect time to release the next hot artist. Unlike the corporate world, they do not rush the moment.
  2. Create your own buzz: Rather than wait for a press conference, Young Money can be seen in each other’s videos, hanging in VIP or crashing a party to get everyone talking.
  3. Control the media outlets: Bryan ‘Baby’ may speak with broken English, but he knows how to get the reporter’s microphones in his face. His stern southern swagger seems to captivate those around him.
  4. Over saturate the market with your product: Young Money seems to never know the meaning of a ‘drought’. You name a music dynasty that has had more consistent success than Cash Money-Young Money. Well over 12 years and they are still cranking out the hits. Why? Because they make you want it by hearing it over and over again!
  5. Control the beefs and stay focused: One thing Lil Wayne has always said was “Beefs are counterproductive and has no profit.” Baby has trained his Cash Money army to stay the course and let him handle the media. You will rarely see one of his artists responding to a beef. As he says, “Aint no money in beefin, ya heard me.”
  6. Establish a definitive chain of command: Baby is the father, Wayne is the son. Period. Many have tried to sever this but none have succeeded. There is great order in the organization. So much it has been compared to the old days at Apple when Steve Jobs first ran it. Everyone in Young Money respects Baby as ‘The General’.

See you at the TOP!

About the Writer
Early L. Jackson is co-founder of New Direction Coaching Associates and author of “Groomed For Greatness: 31 Days To An Empowered Life”.

What we can learn from “Jersey Shore”.

 

Yep, believe it or not, there is something to be gained from those guidos and guidettes that have four-ways in tequila-filled jacuzzis.

I watched a few minutes of the super-successful show on my descent into LAX last week.  I was horrified, of course, but I was a teensy bit hooked.  Why?

It’s not the stories, it’s not the scenery . . . it’s the Snooki.

Interesting and unique characters are at the core of all successful “shows”, televised or not.  Obviously, you need to avoid spray-tanned caricatures, but at the same time you need to remember why you can’t stop watching shows like this, or movies like The Godfather or plays like Hamlet . . .

These are fascinating people that you don’t meet on every street corner.

So when I sit down and write nowadays and find myself stuck in a boring scene, I repeat this little mantra . . .

You wan ‘em hooked?  Give ‘em just a bit of Snook.

POSTED BY KEN DAVENPORT

 

Marketing the artist, learn to market music, market your team, market your creations.

Internet Marketing

skad west

This article is from Internet Marketing Wikipedia. Though it has numerous ‘citation needed’ messages, which is a request for a credible source to back up the claim or statement. I still found the article likable and useful.  It basically outlines options.

Skad

Internet marketing, also known as web marketingonline marketing, or e-marketing, is referred to as the marketing (generally promotion) of products or services over the Internet. iMarketing is used as an abbreviated form for Internet Marketing.[citation needed]

Internet marketing is considered to be broad in scope[citation needed] because it not only refers to marketing on the Internet, but also includes marketing done via e-mail and wireless media. Digital customer data and electronic customer relationship management (ECRM) systems are also often grouped together under internet marketing.[1]

Internet marketing ties together the creative and technical aspects of the Internet, including design, development, advertising and sales.[2] Internet marketing also refers to the placement of media along many different stages of the customer engagementcycle through search engine marketing (SEM), search engine optimization (SEO), banner ads on specific websites, email marketingmobile advertising, and Web 2.0 strategies.[citation needed]

In 2008, The New York Times, working with comScore, published an initial estimate to quantify the user data collected by large Internet-based companies. Counting four types of interactions with company websites in addition to the hits from advertisements served from advertising networks, the authors found that the potential for collecting data was up to 2,500 times per user per month.[3]

Types of Internet marketing

Internet marketing is broadly divided in to the following[4] types:

  • Display Advertising: the use of web banners or banner ads placed on a third-party website to drive traffic to a company’s own website and increase product awareness.[4]
  • Search Engine Marketing (SEM): a form of marketing that seeks to promote websites by increasing their visibility in search engine result pages (SERPs) through the use of paid placement, contextual advertising, and paid inclusion.[5]
  • Search Engine Optimization (SEO): the process of improving the visibility of a website or a web page in search engines via the “natural” or un-paid (“organic” or “algorithmic”) search results.
  • Social Media Marketing: the process of gaining traffic or attention through social media sites.[6]
  • Email Marketing: involves directly marketing a commercial message to a group of people using electronic mail.
  • Referral Marketing: a method of promoting products or services to new customers through referrals, usually word of mouth.
  • Affiliate Marketing: a marketing practice in which a business rewards one or more affiliates for each visitor or customer brought about by the affiliate’s own marketing efforts.
  • Content Marketing: involves creating and freely sharing informative content as a means of converting prospects into customers and customers into repeat buyers.[7]

Business models

Internet marketing is associated with several business models:

  • E-commerce: a model whereby goods are sold directly to consumers (B2C), businesses (B2B), or from consumer to consumer (C2C).[citation needed]
  • Lead-based websites: a strategy whereby an organization generates value by acquiring sales leads from its website.[citation needed] Similar to walk-in customers in retail world. These prospects are often referred to as organic leads.
  • Affiliate Marketing: a process wherein a product or service developed by one entity is sold by other active sellers for a share of profits.[citation needed] The entity that owns the product may provide some marketing material (e.g., sales letters, affiliate links, tracking facilities, etc.); however, the vast majority of affiliate marketing relationships come from e-commerce businesses that offer affiliate programs.[citation needed]
  • Local Internet marketing: a strategy through which a small company utilizes the Internet to find and to nurture relationships that can be used for real-world advantages.[citation needed] Local Internet marketing uses tools such as social media marketing, local directory listing,[8] and targeted online sales promotions.

One-to-one approaches

In a one-to-one approach, marketers target a user browsing the Internet alone and so that the marketers’ messages reach the user personally.[9] This approach is used in search marketing, for which the advertisements are based on search engine keywords entered by the users. This approach usually works under the pay per click (PPC) method.[citation needed]

Appeal to specific interests

When appealing to specific interests, marketers place an emphasis on appealing to a specific behavior or interest, rather than reaching out to a broadly defined demographic.[citation needed] These marketers typically segment their markets according to age group, gender, geography, and other general factors.[citation needed]

Niche marketing

Niche and hyper-niche internet marketing put further emphasis on creating destinations for web users and consumers on specific topics and products.[citation needed] Niche marketers differ from traditional Internet marketers as they have a more specialized topic knowledge.[citation needed] For example, whereas in traditional Internet marketing a website would be created and promoted on a high-level topic such as kitchen appliances, niche marketing would focus on more specific topics such as 4-slice toasters.[citation needed]

Niche marketing provides end users of such sites very targeted information, and allows the creators to establish themselves as authorities on the topic or product.[citation needed]

Geo-targeting

In Internet marketing, geo targeting and geo marketing are the methods of determining the geolocation of a website visitor with geolocation software, and delivering different content to that visitor based on his or her location, such as latitude and longitude, country, region or state, city, metro code orzip code, organization, Internet Protocol (IP) address, ISP, and other criteria.[citation needed]

Advantages and limitations of Internet marketing

Advantages

Internet marketing is inexpensive when examining the ratio of cost to the reach of the target audience.[citation needed] Companies can reach a wide audience for a small fraction of traditional advertising budgets.[citation needed] The nature of the medium allows consumers to research and to purchase products and services conveniently.[citation needed] Therefore, businesses have the advantage of appealing to consumers in a medium that can bring results quickly.[citation needed] The strategy and overall effectiveness of marketing campaigns depend on business goals and cost-volume-profit (CVP) analysis.

Internet marketers also have the advantage of measuring statistics easily and inexpensively; almost all aspects of an Internet marketing campaign can be traced, measured, and tested, in many cases through the use of an ad server.[citation needed] The advertisers can use a variety of methods, such as pay per impressionpay per clickpay per play, and pay per action. Therefore, marketers can determine which messages or offerings are more appealing to the audience.[citation needed] The results of campaigns can be measured and tracked immediately because online marketing initiatives usually require users to click on an advertisement, to visit a website, and to perform a targeted action.[citation needed]

Limitations

However, from the buyer’s perspective, the inability of shoppers to touch, to smell, to taste, and “to try on” tangible goods before making an online purchase can be limiting.[citation needed] However, there is an industry standard for e-commerce vendors to reassure customers by having liberal return policies as well as providing in-store pick-up services.[citation needed]

Security concerns

Information security is important both to companies and consumers that participate in online business. Many consumers are hesitant to purchase items over the Internet because they do not believe that their personal information will remain private. Some companies that purchase customer information offer the option for individuals to have their information removed from their promotional redistribution, also known as opting out. However, many customers are unaware if and when their information is being shared, and are unable to stop the transfer of their information between companies if such activity occurs. Additionally, companies holding private information are vulnerable to data attacks and leaks. Internet browsing privacy is a related consumer concern. Web sites routinely capture browsing and search history which can be used to provide targeted advertising. Privacy policies can provide transparency to these practices. Spyware prevention software can also be used to shield the consumer.

Another consumer e-commerce concern is whether or not they will receive exactly what they purchase. Online merchants have attempted to address this concern by investing in and building strong consumer brands (e.g., Amazon.comeBay, and Overstock.com), and by leveraging merchant and feedback rating systems and e-commerce bonding solutions.[citation needed] All these solutions attempt to assure consumers that their transactions will be free of problems because the merchants can be trusted to provide reliable products and services.[citation needed] Additionally, several major online payment mechanisms (credit cardsPayPalGoogle Checkout, etc.) have provided back-end buyer protection systems to address problems if they occur.[citation needed]

Usage trends

Technological advancements in the telecommunications industry have dramatically affected online advertising techniques.[citation needed] Many firms are embracing a paradigm that is shifting the focus of advertising methodology from traditional text and image advertisements to those containing more recent technologies like JavaScript and Adobe Flash.[citation needed] As a result, advertisers can more effectively engage and connect their audience with their campaigns that seek to shape consumer attitudes and feelings towards specific products and services.[citation needed]

Effects on industries

The number of banks offering the ability to perform banking tasks over the internet has increased.[citation needed] Online banking appeals to customers because it is often faster and considered more convenient than visiting bank branches.[10]

Internet auctions

Internet auctions have become a multi-billion dollar business. Unique items that could only previously be found at flea markets are now being sold on Internet auction websites such as eBay. Specialized e-stores sell a vast amount of items like antiques, movie props, clothing, gadgets, and so on.[11][12]

As the premier online reselling platform, eBay is often used as a price-basis for specialized items. Buyers and sellers often look at prices on the website before going to flea markets; the price shown on eBay often becomes the item’s selling price.[citation needed]

Advertising industry

In addition to the major effect internet marketing has had on the technology industry, the effect on the advertising industry itself has been profound. In just a few years, online advertising has grown to be worth tens of billions of dollars annually.[13][14][15] PricewaterhouseCoopers reported that US$16.9 billion was spent on Online marketing in the U.S. in 2006.[16]

This has caused a growing impact on the United States’ electoral process. In 2008, candidates for President heavily utilized Internet marketing strategies to reach constituents. During the 2007 primaries candidates added, on average, over 500 social network supporters per day to help spread their message.[17] President Barack Obama raised over US$1 million in one day during his extensive Democratic candidacy campaign, largely due to online donors.[18]

Several industries have heavily invested in and benefited from internet marketing and online advertising. Some of them were originally brick and mortar businesses such as publishing, music, automotive or gambling, while others have sprung up as purely online businesses, such as digital design and media, blogging, and internet service hosting.[citation needed]

See also

References

Marketing music - Power in Music

Marketing music

      Skad West

 

     Power Top Ten

From Bob Lefsetz   bob@lefsetz.com

1. The PromoterBecause he’s got all the money. Used to be the label had all the money. What money the label has left is being given to the executives. And the lack of remuneration to acts has them looking elsewhere. And the only other person paying is the promoter. But he’s too stupid to realize his power. If a few promoters just started saying no, the whole business would change.Presently, the promoters give all the money to the acts, to their detriment, they can’t seem to help themselves, they’re like sports team owners, protect me from spending again! But the NBA owners made progress and so can the concert promoters.He with the money wins.2. YouTube

It’s all about exposure. Over time, YouTube’s power to break an act will fade, as streaming services gain further adoption, because music is something you hear, not see. But right now YouTube is our national jukebox. Make sure your music is up there, even if it’s just scrolling lyrics in the frame.

Don’t equate YouTube with Vevo. Vevo puts money first, image second and listeners third. YouTube’s got it right, make it easy for listeners to find and experience the music they want to.

3. Facebook

Because that’s where you tell everybody else what you’re listening to, that’s where online word of mouth takes place, especially now with Spotify/streaming service integration.

The way you break an act is not by getting it on TV or radio but by fomenting word of mouth. And when this conflagration takes place, which is rare, be ready. Make sure your music is on YouTube, Spotify/streaming services, and that your homepage is easily navigated (NO FLASH! – and it doesn’t work on iPhones!) and allows people to listen to all your music too. The worst thing that can happen is someone wants to check you out and you’ve got the music locked up behind a pay wall. That’s old school for old farts.

4. Irving Azoff

Because he’s the promoter and the manager. But Live Nation has to a great degree missed out on electronic music. Irving Azoff is riding the horse of today extremely well, but the horse of ten years from now…I’m not so sure.

5. Coran Capshaw/Red Light

His time has finally come. Not only does he have management, a label and concert promotion, he’s now got more successful acts than just the Dave Matthews Band, hell, he’s got Pretty Lights! Capshaw’s got a young team that’s aggressive and has its finger on the pulse. Unfortunately, there’s so much dead weight it threatens to sink the ship, there are too many B & C players, but unlike Frontline/Live Nation, Coran is thinking about tomorrow. Frontline/Live Nation is about what’s selling today. But now, with so many managers of hit acts aligned with a conglomerate, it’s about ferreting out what’s going to sell tomorrow.

6. Ticketmaster

More innovation here than at any label or any competitor. And unlike the RIAA and MPAA, Ticketmaster is trying to turn around public perception, it’s trying to get on the side of the people. There’s money left on the table in the music business, and only data will tell us where it is.

7. Agents

It’s less about power and more about being on the side of the artist. No one is more powerful to his acts than Frank Riley. And when it comes to the big picture, Marc Geiger is the visionary. You need a representative who can nurture your career. Who is willing to leave some money on the table to ensure your longevity.

8. Spotify

Because you’ve got to listen somewhere. And everything is there and everything is free and people will pay for streaming on their handsets, they just don’t know it yet. It’s all about seeing the future. Didn’t everybody say Apple was dead, even after Steve Jobs came back? Don’t get stuck in the past catering to a vocal public which says it abhors change and ultimately embraces it.

9. Mobile

Digital photography killed Kodak, the prognosticators were right. These same prognosticators have been stating for years that mobile will triumph, the sun is rising on mobile right now. Smart phones are almost ubiquitous, it’s all about portability. You want people to be able to easily access information about your act on their mobiles, a mobile-compatible site is worth it if you’re a star, and also make sure your music can be heard on a mobile via streaming.

10. Radio

At the bottom of the list and continuing to fade. Because radio believes its responsibility is to anybody but the listener. Terrestrial is all about the advertiser. Satellite is terrestrial without commercials. Pandora is tune-out city. People will not sit and passively listen, that’s a declining paradigm. To believe radio continues to triumph is to believe people won’t use their TV remote control, won’t flip from station to station. Radio’s great for talk, pretty lousy for music. But it can still build acts today, which is why it’s on this list. But it should be in your rearview mirror, or else you’re gonna end up in the rearview mirror.

Not On The List:

“Rolling Stone”: Jann Wenner cares about politics more than music. The brand means nothing to the younger generation. Can be an interesting read, but running on fumes.

Lucian Grainge: Thinks his competitor is Doug Morris, a septuagenarian who believes a radio hit means everything. Lucian should worry about Live Nation, not Sony Music.

Jimmy Iovine: He doesn’t care about music, he cares about money.

Sonicbids, et al: About money, not music.

Songkick: They care about music more than money and like too many kids just don’t realize how business works, they’re no match for Irving Azoff.

Apple: Its failure to go into subscription music services is like BlackBerry refusing to embrace apps/hand-held web-surfing. The future is subscription. If Apple doesn’t control it, it will lose power. Hell, it’s already lost power in the handset business, Apple controlled MP3 players with its iPod, but Android is a worthy competitor to the iPhone.

TV: There’s no reason to watch an act on television when it can be pulled up, on demand, on YouTube.

“American Idol”: That’s show business. Music is going back to being the hottest of media, something that speaks directly to your heart and soul. To think Jennifer Lopez is about music is to believe Heidi Klum can sing because she used to live with Seal.

“X Factor”: Simon Cowell has a will to survive. And he will do his best to do so. Mark Burnett doesn’t need “The Voice”, Cowell needs “X Factor”.

IMPALA: Because you can never win with a legal strategy. Just ask Tivo. Independents can do nothing but complain. They’re almost as ancient thinking as the acts and almost as broke. They yearn for a past like the one in Nick Hornby’s “High Fidelity”, but that ain’t gonna happen. Music is gonna triumph, but how we listen and how we pay are going to be completely different.

From Bob Lefsetz   bob@lefsetz.com

Film Promotion

Film Promotion

 

skad west

 

Film promotion is the practice of promotion specifically in the film industry. As with all business it is an important part of any release because of the inherent high financial risk; film studios will invest in expensive marketing campaigns to maximize revenue early in the release cycle. Marketing budgets tend to equal anywhere between half or three times the production budget. Publicity is generally handled by the distributor and exhibitors.

Techniques

In theaters

  • Trailers are a mainstay of film promotion, because they are delivered directly to movie-goers. They screen in theatres before movie showings. Generally they tell the story of the movie in a highly condensed fashion compressing maximum appeal into two and half minutes.
  • Slideshows - stills, trivia, and trivia games from the film, shown between movie showtimes.
  • Standees (freestanding paperboard life-size images of figures from the film)
  • Cardboard 3D displays, sometimes producing sound[1]

Television and radio

  • Hollywood movie distributors spend about $4 billion a year to buy paid advertising (30-second TV commercials, newspaper ads, etc.) and over half that total is placed on broadcast and cable TV, which are the main vehicles for advertising movies to audiences. TV is effective because it is an audio-visual medium – like film – and can deliver a vast audience quickly, which is crucial because films typically don’t linger in theaters more than 4–6 weeks, according to Marketing to Moviegoers: Second Edition.
  • Extended placement: full episodes of television talkshows (Oprah), entertainment news programs (ET), or network news programs (20/20), devoted to compensated exposure of the film, stars, clips, director, etc.
    • In addition, interviews with actors and directors which are filmed en masse at a hotel with local and national entertainment reporters which are featured on local news shows, programs on cable networks, and series such as Byron Allen‘s series of entertainment series like Entertainment Studios.
  • Production and paid broadcast of behind-the-scenes documentary-style shows, the type of which are mainly produced for HBOShowtime and Starz.
  • Advance trailers, longer previews, or behind-the-scenes footage on rental videos and DVDs.

Internet

  • Creation of standalone studio-sponsored per-film websites such as “example-the-movie.com”.
  • Viral marketing: free distribution of trailers on movie-oriented websites and video user-generated-content websites, and rapid dissemination of links to this content by email and blogs. Includes alleged leakage of supposed “rushes” and “early trailers” of film scenes.[4] Sometimes, the efforts go further such in the lead to the successful premiere of the film, The Muppets which preceded by several original film shorts on YouTube over a number of years while the film was in production.
  • Creation of Internet Marketing campaign using Paid Advertisement and Social Media Marketing
  • Marketing through new online film market services such as Rightstrade and Mediapeers

Print

  • Paid advertisement in newspapers, magazines, and inserts in books.
  • Cross-promotion of original book or novelization, including special printings, or new cover jackets (“Now a major motion picture.”)
  • Comic special editions or special episodes

Merchandising

  • Paid co-branding (Eragon in American Chopper-two episodes), or co-advertising (Aston Martin and James Bond films[5]) of a product with the film.
  • Promotional giveaways: branded drink cups, toys, or food combinations, at fast food chains.

Promotional tour

  • Film actors, directors, and producers appear for television, radio, and print media interviews, sometimes showing a clip from the film or an outtake. Interviews are conducted in person or remotely. During film production, these can take place on set. After film release, key personnel make appearances in major market cities, or participate remotely via “satellite” or telephone.

Audience research

There are seven distinct types of research conducted by film distributors in connection with domestic theatrical releases, according to “Marketing to Moviegoers: Second Edition.” Such audience research can cost $1 million per film, especially when scores of TV advertisements are tested and re-tested. The bulk of research is done by major studios for the roughly 170 major releases they mount each year that are supported by tens of millions of advertising buys for each film. Independent film distributors, which typically spend less than $10 million in media buys per film, don’t have the budget or breadth of advertising materials to analyze, so they spend little or nothing on pre-release audience research. When audience research is conducted for domestic theatrical release, it involves these areas:

  • Positioning studies versus other films that will premiere at the same time.
  • Test screenings of finished or nearly finished films; this is the most well known.
  • Testing of audience response to advertising materials.
  • Tracking surveys of audience awareness of a film starting six weeks before premiere.
  • Exit surveys questioning film goers about their demographic makeup and effectiveness of marketing.
  • Title testing in an early stage.
  • Concept testing that would occur in development phase of a film before it is produced.[6]

See also

Film budgeting

External links

References

  1. ^ Billington, Alex (December 28, 2007). “Cool Theater Displays: Wall-E and Indiana Jones 4″. FirstShowing.net.
  2. ^ Murray, Rebecca (July 7, 2004). “Interviews with Shia LaBeouf and Paul Teutul Jr. About “I, Robot”". About.com.
  3. ^ Cohn, David (December 12, 2005). “TV Writes Must Sell, Sell, Sell”Wired Magazine.
  4. ^ Gross, Doug (May 30, 2011). “Mysterious ‘Girl with the Dragon Tattoo’ trailer leaked online”. CNN.com.
  5. ^ Magzan, Lara (November 25, 2002). “The Business of Bond”. CNN.com.
  6. ^ Marich, Robert (2009). Marketing to Moviegoers: A Handbook of Strategies and Tactics (2nd ed.). Southern Illinois University PressISBN978-0809328840.

 

From Wikipedia, the free encyclopedia

The power of Blogs

skad west

The Power of Blogs

This is from Bob Lefsetz. The article he’s pointing you toward is long but worth the read.

 

Are you best off:

1. Getting 3 minutes on CNN.2. Getting published in the Sunday Opinion section of the “New York Times” and having your column reach #6 on the most emailed list.3. Having “a guest post you wrote, published on the blog of one lone dude in SF obsessed with fat loss, female orgasms, and lifting Russian kettle bells?”

For the record, the blog in number 3 is that of Tim Ferriss.
And the answer is #3. It is the only promotion that significantly moved books for Michael Ellsberg, driving sales of his tome from #1,295 to #45 on Amazon.

But how did Mr. Ellsberg get this guest post position? By becoming friends with Mr. Ferriss, not asking for anything for a very long time. Ellsberg suggests investing two to ten years in the relationship. Which is very different from blasting e-mail to a zillion bloggers which doesn’t work because bloggers are being pitched all day long and have more power than the mainstream media.

Because bloggers have clearly defined personalities, their readers are passionate. Hell, if you want to know what’s going on in the political world don’t read the newspaper, read the blogs!

And I’m saying all this not because I want you to curry favor with me, please no, refrain from that, but because in the past week we’ve seen the mainstream media get it wrong so many times.

1. SOPA/PIPA

The mainstream media had no idea of the power of the Web.

2. South Carolina Primary

The mainstream media said it was a fait accompli, Romney had the nomination sewn up. And now suddenly, Gingrich wins. Huh?

I think the issues inherent in SOPA/PIPA are important, but the big stories this week are how both the movie and music industries found out that the public is not on their side and that Congress is all about satiating the public, that individual votes trump huge corporate donations.

In other words, everything’s up for grabs. The institutions are not to be trusted, we’ve had a virtual earthquake and everybody’s in a panic and we won’t know what’s going on until the tsunami recedes, which could take years.

I won’t quite endorse the Firesign Theatre’s philosophy, that everything you know is wrong, but it’s close. The power is now with the individual.

And this changes everything.

For those averse to reading, you can get the essence of the article here:

But I highly recommend reading from the beginning, especially if you’re wealthy and powerful, this changes everything:

 

The Power Of Blogs -  Bob LefSetz    the power of blogs

 

 

 

 

Marketing

Marketing – The Artist

What I Learned About Marketing From Lil Wayne

For the last 4 1/2 years it has been virtually impossible to turn on the radio or videochannel and not see some representation from the crew the music world has fondly grown to know as “Young Money”. A brain child spawned from the imagination of Dwayne Carter, AKA Lil Wayne who was mentored since 11 years old by then drug dealer and music producer Bryan “Baby” Williams. Over the years they have appeared together in countless music videos and quietly have become the most successful organizations in music history. Men lie, women lie but numbers NEVER lie! See for yourself;

  • Lil Wayne’s discography looks like this: 2,000,000 in mixtapes, 700,00 for Hotboys, 600,00 for The Carter, 1,200,000 for The Carter 2 and 4,000,000 for The Carter 3
  • Nikki Minaj sold over 450,000 the first week of her debut CD “Pink Friday”
  • Drake has sold 1,500,000 of his debut CD “Thank Me Later” and poised to do even higher with his recently released LP

Say what you like, success ALWAYS leaves clues! Now I’d like to share 6 clues I have learned from Mr. Carter.

  1. Establish your organization one piece at a time: The patience of the whole Cash Money-Young Money movement is astounding. For years they lay in wait for the perfect time to release the next hot artist. Unlike the corporate world, they do not rush the moment.
  2. Create your own buzz: Rather than wait for a press conference, Young Money can be seen in each other’s videos, hanging in VIP or crashing a party to get everyone talking.
  3. Control the media outlets: Bryan ‘Baby’ may speak with broken English, but he knows how to get the reporter’s microphones in his face. His stern southern swagger seems to captivate those around him.
  4. Over saturate the market with your product: Young Money seems to never know the meaning of a ‘drought’. You name a music dynasty that has had more consistent success than Cash Money-Young Money. Well over 12 years and they are still cranking out the hits. Why? Because they make you want it by hearing it over and over again!
  5. Control the beefs and stay focused: One thing Lil Wayne has always said was “Beefs are counterproductive and has no profit.” Baby has trained his Cash Money army to stay the course and let him handle the media. You will rarely see one of his artists responding to a beef. As he says, “Aint no money in beefin, ya heard me.”
  6. Establish a definitive chain of command: Baby is the father, Wayne is the son. Period. Many have tried to sever this but none have succeeded. There is great order in the organization. So much it has been compared to the old days at Apple when Steve Jobs first ran it. Everyone in Young Money respects Baby as ‘The General’.

See you at the TOP!
Early

 

Marketing the artist, learn to market music, market your team, market your creations.